This short film follows a woman on a bus at night in a busy city. The film uses eyeline matches to establish relationships between the man and the woman as the nature of their exchanged looks gives us a sense of a flirtatious relationship. When the elderly woman is shot for the bus seat by another passenger it shows that in society we always go the extreme. There is a shot of the woman we are following and the man from before' s hands, they obey the rule of thirds at first staying on other sides of the screen and not using the middle third. However they invade the central third but are separated by people getting off the bus, this could be representative of society impacts our relationships and comes between thigs we maybe are destined for. The synchronized movements at the end are also a testament to how society conditions people to be the same and just be part of a machine and crushes any individuality.
Typewriter font- California 1995 1:00AM on a black screen. Fades out to a BLANK SCREEN ONLY SOUND IS CLOCK TICKING "MARCIA" A curly haired man with an athletic build in a scruffy suit with the top buttons undone and a faint stain on his white sirt. Is sat at his incredibly messy desk with piles of papers and empty fast food containers smoking a cigarette surrounded by papers and documents the office is dark and messy. The walls are grey and the overall feel of the room is very drab and depressing, which the fmily photos upon the desk juxtapose. Marcia has heavy bags under his eyes and messy hair sticking up everywhere. He leans back in his chair sighing, he quickly becomes frustrated with the thought of the trial and it's fustrations which we see through his body language and facial expresions being very slouched over and having little expression in his face. He stands and throws the desks contents to the ground in a fit of fustration. He stands breathing heavily looking
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